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L'Âge d'or
(Luis Buñuel, 1930) |
Le Sang d'un poète
(Jean Cocteau, 1930) |
Sous les toits de Paris
(René Clair, 1930) |
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| This anarchic masterpiece of surrealist rebellion marks the start of Buñuel's life-long crusade against the bourgeoisie. [More...] | Through dream-like imagery, we glimpse the troubled mind of a poet afflicted by pain and fear as he strives for his art. [More...] | An enchanting visual poem to the ordinary people of Paris, their lives, their loves, set in the city of romance. [More...] |
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Prix de beauté
(Augusto Genina, 1930) |
À nous la liberté
(René Clair, 1931) |
Le Million
(René Clair, 1931) |
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| The only French film to feature the iconic actress Louise Brooks, in what was to be her last major film role. [More...] | Technology enslaves mankind but utltimately will free him, a Utopian vision which inspired Chaplin's Modern Times. [More...] | This spectacular musical comedy is an obvious forerunner of the great Hollywood song and dance films of the 1930s. [More...] |
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Marius
(Marcel Pagnol, 1931) |
L'Opéra de quat'sous
(G.W. Pabst, 1931) |
Boudu sauvé des eaux
(Jean Renoir, 1932) |
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| A memorable tale of unrequited love set in the romantic environs of the French port of Marseilles. [More...] | This French film version of the famous Brecht-Weill opera stars the ever-popular Albert Préjean and Florelle. [More...] | This delightful satire of bourgeois attitudes features an unforgettable performance from Michel Simon. [More...] |
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Les Croix de bois
(Raymond Bernard, 1932) |
Vampyr
(Carl Theodor Dreyer, 1932) |
Poil de carotte
(Julien Duvivier, 1932) |
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| This brutally realistic portrayal of life and death on a WWI battlefield stands as France's most effective anti-war film. [More...] | One of the most famous European horror films of the 1930s, all the more chilling because of its dreamlike visual style. [More...] | A remarkable performance from the great Harry Baur makes this one of the most poignant French films about childhood. [More...] |
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Les Misérables
(Raymond Bernard, 1933) |
La Maternelle
(Jean Benoît-Lévy, 1933) |
Quatorze Juillet
(René Clair, 1933) |
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| One of cinema's most ambitious and compelling adaptations of the most famous novel in French literature. [More...] | Madeleine Renaud gives an extraordinary performance in this poignant drama, an early example of social realism. [More...] | One of the most alluring of Clair's films, with great performances and some very imaginative camera work. [More...] |
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Zéro de conduite
(Jean Vigo, 1933) |
Les Deux orphelines
(Maurice Tourneur, 1933) |
L'Atalante
(Jean Vigo, 1934) |
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| A film that brilliantly captures a child's loathing for authority was deemed anarchic by the censors and banned. [More...] | Less famous than D.W. Griffith's Orphans of the Storm, but it tells the same story just as effectively. [More...] | This simple tale of love lost and regained has acquired a legendary status, the last film of its short-lived director. [More...] |
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Angèle
(Marcel Pagnol, 1934) |
La Kermesse héroïque
(Jacques Feyder, 1935) |
Toni
(Jean Renoir, 1935) |
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| An immensely poetic adaptation of a Jean Giono novel, making the most of its stunning Provence setting. [More...] | Once reviled as Nazi propaganda, now regarded as one of the true masterpieces of French cinema, an ironic look at the perils of collaboration. [More...] | A rare example of true neo-realism in French cinema. One of Renoir's assistants on this film was none other than Luchino Visconti... [More...] |
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La Belle équipe
(Julien Duvivier, 1936) |
Drôle de drame
(Marcel Carné, 1936) |
Mayerling
(Anatole Litvak, 1936) |
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| The hopes of failings of the Popular Front are relived in this poignant drama in which camerarderie ends in brutal rivalry and mistrust, [More...] | The most off-the-wall work from the legendary Carné-Prévert partnership is this outlandish black comedy, which features Louis Jouvet in a kilt. [More...] | Charles Boyer and Danielle Darrieux star in one of the great romantic film dramas of all time – not to be confused with the 1968 remake. [More...] |
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Un grand amour de Beethoven
(Abel Gance, 1936) |
Le Roman d'un tricheur
(Sacha Guitry, 1936) |
Les Bas-fonds
(Jean Renoir, 1936) |
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| A beautiful and appropriately melancholic account of the life of one of the world's greatest composers, Ludwig van Beethoven. [More...] | Sacha Guitry's most inspired and entertaining film follows the fortunes of a man who can't stop cheating... [More...] | This daringly realist portrait of society's unwashed and unloved lowlife was a severe reaction to the failings of the Popular Front. [More...] |
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Le Crime de M. Lange
(Jean Renoir, 1936) |
La Grande illusion
(Jean Renoir, 1937) |
L'Étrange M. Victor
(Jean Grémillon, 1937) |
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| The triumph of the ordinary man over an odious capitalist parasite - surely there can be no political message in this film? [More...] | One of the triumphs of French cinema, this potent anti-war film so offended the Nazis that they tried to obliterate it. [More...] | Raimu gives one of his towering performances in this sombre tale of guilt, deceit and retribution. [More...] |
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Regain
(Marcel Pagnol, 1937) |
Un carnet de bal
(Julien Duvivier, 1937) |
Gueule d'amour
(Jean Grémillon, 1937) |
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| L’Herbier takes a plain melodrama and transforms it into an enthralling dream-like fantasy, heaving with emotional turmoil. [More...] | What makes this episodic film unmissable is its exceptional cast, which includes Harry Baur, Marie Bell, Fernandel, Louis Jouvet and Raimu. [More...] | This fine adaptation of André Beucler's novella features Jean Gabin at his near best as a legionnaire who falls for the wrong woman. [More...] |
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La Bête humaine
(Jean Renoir, 1938) |
Les Disparus de Saint-Agil
(Christian-Jaque, 1938) |
La Femme du boulanger
(Marcel Pagnol, 1938) |
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| This bleak adaptation of an Emile Zola novel, features Jean Gabin at his best, as a train driver who just can't help killing people. [More...] | This eerie suspense drama features memorable contributions from Erich von Stroheim and Michel Simon and has more than a touch of film noir. [More...] | Raimu's harrowing portrayal of a man who loses his wife to another makes this one of Marcel Pagnol's greatest films. [More...] |
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La Marseillaise
(Jean Renoir, 1938) |
Le Schpountz
(Marcel Pagnol, 1938) |
Les Otages
(Raymond Bernard, 1938) |
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| This epic account of the French Revolution is one of Jean Renoir's most ambitious and compelling films. [More...] | French comedy giant Fernanel stars in one of his most famous roles in this enjoyable satire of the French film industry. [More...] | Raymond Bernard's most unusual film is this strange black comedy on the nature of heroism, released when war in Europe appeared unavoidable. [More...] |
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Pépé le Moko
(Julien Duvivier, 1937) |
Hôtel du Nord
(Marcel Carné, 1938) |
Le Quai des brumes
(Marcel Carné, 1938) |
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| Banned by the authorities for being too depressing, this fusion of poetic realism and early film noir is is now regarded as a masterpiece. [More...] | In this, the apotheosis of poetic realism, the only relief from the funereal mood is the now legendary repartee between Arletty and Jouvet. [More...] | The bleak pessimism of the late 1930s is perfectly evoked in this haunting tale of ill-fated love, conjured by the masters of poetic realism. [More...] |
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Les Gens du voyage
(Jacques Feyder, 1938) |
Le Jour se lève
(Marcel Carné, 1939) |
La Règle du jeu
(Jean Renoir, 1939) |
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| Françoise Rosay's gutsy portrayal of a fearless lion-tamer makes this a memorable drama with some nice film noir touches. [More...] | With its melancholic photography and doom-laden plot, this is one of the best examples of poetic realism, reflective of a world that is falling apart. [More...] | Renoir's greatest work and a masterpiece of French cinema, this combines dramatic intrigue and farce to take a brutal swipe at the ruling classes. [More...] |
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