Mam'zelle Nitouche (1954)
Directed by Yves Allégret

Comedy / Musical / Romance
aka: Oh No, Mam'zelle

Film Review

Abstract picture representing Mam'zelle Nitouche (1954)
The incomparable comic performer Fernandel stars in this colourful screen adaptation of a popular operetta by Meilhac, Blum and Millaud, with music by Hervé.  The film was directed by Yves Allégret whose elder brother Marc made an earlier adaptation of the same work in 1931.  In comparison to most of the films which featured Fernandel at the time, this is a high budget period piece, with lavish sets, authentic costumes, and filmed in glorious Technicolor.  There's even a good use of the split-screen special effect, in which the two alter egos of the character played by Fernandel appear side-by-side to sing an amusing song.

The gentle comedy, attractive cast and Music Hall atmosphere make this a charming little film, although it pales in comparison with other film musicals of this era.  As is often the case, Fernandel's strong screen presence rips the focus well and truly away from his co-stars, which is slightly to the detriment of the film.  However, fans of the great comic actor are rewarded by another delightful performance which skilfully combines pathos and slapstick.  Watch out for Louis de Funès in one of his early film appearance.
© James Travers 2004
The above content is owned by frenchfilms.org and must not be copied.
Next Yves Allégret film:
La Meilleure part (1955)

Film Synopsis

Célestin leads a double life.  By day, he is a respectable music teacher in a girl's convent; by night, he composes popular operas under the pseudonym Floridor, whilst having an affair with his leading lady Corinne, the wife of a major.  To be present at the opening night of his new opera, Célestin finds himself having to escort one of his pupils, Denise de Flavigny, to town to meet her future husband.  Locked in a hotel bedroom, Denise manages to escape thanks to a passing young officer, the Lieutenant La Vauzelle.  The latter instantly falls in love with the young woman, but she pretends to be married to Célestin, not realising that La Vauzelle is her intended husband.  When Corinne walks out of Célestin's production, Denise takes her place, with great success.  After the show, Denise is reunited with La Vauzelle, leaving Célestin anxious and distraught.  The latter's attempt to find Denise lands him in the army barracks, from which there appears to be no escape…
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Yves Allégret
  • Script: Marcel Achard, Yves Allégret, Jean Aurenche, Ernest Blum (story), Henri Meilhac (story), Albert Millaud (story)
  • Cinematographer: Armand Thirard
  • Music: Hervé, Georges Van Parys
  • Cast: Fernandel (Célestin), Pier Angeli (Denise de Flavigny), Jean Debucourt (Major de Longueville), Georges Chamarat (L'adjudant), Hélène Tossy (La commandante), François Guérin (La Vauzelle), Olivier Hussenot (Un autre Maréchal), Katherine Kath (Gimblette), Gaston Orbal (Le Directeur), Louis de Funès (Un maréchal des logis), Margo Lion (Soeur Léontine), Bernard La Jarrige (Loriot), Daniel Ceccaldi (Le troisième réserviste), Fernand René (Le valet de chambre), Pierre Olaf (Le deuxième réserviste), Nerio Bernardi (L'épicier), Paola Borboni (Rosa), Michèle Cordoue (Corinne), Renée Devillers (La Supérieure), Annick Bertrand (Janine)
  • Country: Italy / France
  • Language: French
  • Support: Color
  • Runtime: 90 min
  • Aka: Oh No, Mam'zelle

The very best of French film comedy
sb-img-7
Thanks to comedy giants such as Louis de Funès, Fernandel, Bourvil and Pierre Richard, French cinema abounds with comedy classics of the first rank.
The brighter side of Franz Kafka
sb-img-1
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
The Carry On films, from the heyday of British film comedy
sb-img-17
Looking for a deeper insight into the most popular series of British film comedies? Visit our page and we'll give you one.
The best French films of 2018
sb-img-27
Our round-up of the best French films released in 2018.
The best of American cinema
sb-img-26
Since the 1920s, Hollywood has dominated the film industry, but that doesn't mean American cinema is all bad - America has produced so many great films that you could never watch them all in one lifetime.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright