Jean Vigo

1905-1934

Biography: life and films

Abstract picture representing Jean Vigo
Born in Paris in 1905, Jean Vigo was the son of a political anarchist who was arrested by the French authorities and died in prison in 1919. Vigo's mother tried to keep his father's past from him, going so far as to change the family name.

Afflicted by tuberculosis from an early age, Vigo spent many years in an asylum, where he met his future wife. Leaving the asylum, Vigo had a profound passion to make films, and he was greatly influenced by his father's secret history when he found this out. However, Vigo's reactionary views won him few friends and he faced considerable opposition from the establishment.

His first film, A propos de Nice, was a short silent film made in 1929 and was a satire on the town renowned for its carnivals and casinos. His second film was a documentary about a champion swimmer, Taris, roi de l'eau (1931).

His next film, Zéro de conduite, was his first major work, a film relating the conflict between teachers and students in a boarding school. Although now regarded as an impressive film, it was immediately banned by the film censors when it was first released as being seditious.

An independent producer, Jacques-Louis Nounez encouraged Vigo to make a long film involving a love story set on a barge. L'Atalante was to become Vigo's most successful film and an icon of French cinema, although it was made under the most precarious financial difficulties - and Vigo's health was failing. After an initial unsuccessful showing, the film was drastically cut and renamed Le chaland qui passe, and even then it proved to be a commercial disaster.

Vigo died in Paris from septicaemia shortly after L'Atalante was released. He was just 29 years old. He is now acknowledged as one of the great heroes of French cinema and a standard-bearer for independent film makers.
© James Travers 2002
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Filmography

Key: d = director; w = writer


Continental Films, quality cinema under the Nazi Occupation
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At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
The brighter side of Franz Kafka
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In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
The best of American film noir
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In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The history of French cinema
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From its birth in 1895, cinema has been an essential part of French culture. Now it is one of the most dynamic, versatile and important of the arts in France.
The very best American film comedies
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American film comedy had its heyday in the 1920s and '30s, but it remains an important genre and has given American cinema some of its enduring classics.

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